Showing posts with label history. Show all posts
Showing posts with label history. Show all posts
Thursday, September 22, 2011
Food From North and South
An interesting collection of Civil War era recipes as served recently at a tasting at a Manhattan hotel, the Roger Smith. I guess I was expecting something that seemed more spare, but Roast Rabbit on a Spit with Boston Mustard sounds pretty tasty to me.
Friday, January 23, 2009
Daguerrowhatsit
Everytime I go junkin', I see antique photographs mislabeled as to their process. Sellers do this either because they just don't know the difference or because they want to charge you more. So, before you go out to the flea market this weekend or buy online, here's a little education so you know what you're getting.
Daguerrotypes, so named for their inventor, are one of the oldest photographic processes. They were very involved to make and used chemicals like fumed mercury. So, these are generally the most expensive. For this reason, this is the most common mislabling. However, these are also the easiest to spot if you know what to look for. An image is formed onto a substrate of highly polished silver. For this reason, when held at certain angles, you can't even see the image – just a mirror. But if you reflect something dark into the image, it appears (one of the reasons it comes in a case with dark velvet lining). The detail, sharpness and tonal qualities on a Daguerreotype are really beautiful which is another reason they're sought after and pricey.
Ambrotypes and their cousins Tintypes can get trickier to tell apart. An Ambrotype is an image on glass. Since it's the grayish and white highlights of the image that form on the emulsion, the glass is coated on one side (sometimes the emulsion side, sometimes the reverse) with black lacquer to form the final image. This will not reflect at all like a mirror, and you might be able to see on close inspection the white emulsion on the glass. Ambrotypes can also be printed on colored glass or ivory, but these are rarer.
Tintypes were cheap and easy to produce (relatively speaking), so many people could own them, and tons exist today. A tintype makes an image much like an Ambrotype, but on a thin metal substrate that has been laquered black. They tend to bend easily and many have the emulsion badly cracked. Sometimes I see these in nice cases with a piece of glass over the top, and it will look similar to an Ambrotype unless you inspect it closely. The quality of a tintype is the poorest of the three processes, and they have an overall grayish look.
Any of these processes might have some hand coloring on the final image. Sometimes just some "pinking" on the cheeks, sometimes white to accentuate highlights, and often jewelry is gilt.
Daguerrotypes, so named for their inventor, are one of the oldest photographic processes. They were very involved to make and used chemicals like fumed mercury. So, these are generally the most expensive. For this reason, this is the most common mislabling. However, these are also the easiest to spot if you know what to look for. An image is formed onto a substrate of highly polished silver. For this reason, when held at certain angles, you can't even see the image – just a mirror. But if you reflect something dark into the image, it appears (one of the reasons it comes in a case with dark velvet lining). The detail, sharpness and tonal qualities on a Daguerreotype are really beautiful which is another reason they're sought after and pricey.
Ambrotypes and their cousins Tintypes can get trickier to tell apart. An Ambrotype is an image on glass. Since it's the grayish and white highlights of the image that form on the emulsion, the glass is coated on one side (sometimes the emulsion side, sometimes the reverse) with black lacquer to form the final image. This will not reflect at all like a mirror, and you might be able to see on close inspection the white emulsion on the glass. Ambrotypes can also be printed on colored glass or ivory, but these are rarer.
Tintypes were cheap and easy to produce (relatively speaking), so many people could own them, and tons exist today. A tintype makes an image much like an Ambrotype, but on a thin metal substrate that has been laquered black. They tend to bend easily and many have the emulsion badly cracked. Sometimes I see these in nice cases with a piece of glass over the top, and it will look similar to an Ambrotype unless you inspect it closely. The quality of a tintype is the poorest of the three processes, and they have an overall grayish look.
Any of these processes might have some hand coloring on the final image. Sometimes just some "pinking" on the cheeks, sometimes white to accentuate highlights, and often jewelry is gilt.
Monday, February 11, 2008
A Bit of Canning History
It was during the period of the Napoleonic wars that the Frenchman Nicolas Appert found that food could be preserved against spoilage by first sealing it in an airtight glass jar, and then heating it. After many years of careful trials and experiments, he published a book on his process in 1810, which became a great success in many countries. By this time, Appert had set up his own factory to produce and distribute his preserved foods. The French government was so impressed by his discovery that they gave him an award of 12,000 Francs. Although Appert's method clearly worked, nobody knew exactly why at the time. It wasn't until the end of the 19th century that it was found that bacteria were the cause of food spoilage, and that these were destroyed by heating. Appert's discovery was taken up in England by John Hall, founder of the famous Dartford Iron Works, and his associate Bryan Donkin in 1811. As well as using glass bottles, they developed the use of metal canisters made of tinned iron to store the food, which were of course virtually unbreakable. Thus the world's first `canned' food was made in their new factory set up in Bermondsey, London.
Continue reading here.
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